“Wait. That right there. More of that.” That’s usually where the film begins: when someone stops giving me the explanation they’ve practiced and tells me something real.
My career has moved through hair, fashion, buying, business ownership, and film. Each gave me a different education in attention. Behind the chair, I learned to listen to the person underneath the request. In fashion, I learned to make choices. In film, those instincts became decisions about language, performance, image, sequence, and sound.
I can hear a sentence and start seeing the film around it. I can love a shot and still cut it. I know when the music is lying.
I develop concepts, conduct interviews, write, direct, film, and edit. I like being there early enough to ask whether we’re making the right thing, then staying close enough to protect the idea as it becomes real.
Sixteen Found is the studio I built around that instinct. Commissioned films sit alongside my own writing and paintings. I take all of it seriously. I also reserve the right to have a very good time.